Tuesday, June 8, 2010
Long Shot
Monday, April 26, 2010
Aspect ratio
Aspect ratio: in general, a term for how the image appears on the screen based on how it was shot; refers to the ratio of width (horizontal or top) to height (vertical or side) of a film frame, image or screen; the most common or standard aspect ratio in early films to the 1950s was called Academy Aperture (or ratio), at a ratio of 1.33:1 (the same as 4:3 on a TV screen); normal 35mm films are shot at a ratio of 1.85:1; new widescreen formats and aspect ratios were introduced in the 1950s, from 1.65:1 and higher; CinemaScope (a trade name for a widescreen movie format used in the US from 1953 to 1967) and other anamorphic systems (such as Panavision) have a 2.35:1 AR, while 70mm formats have an AR of 2.2:1; Cinerama had a 2.77:1 aspect ratio; letterboxed videos for widescreen TV's are frequently in 16:9 (or 1.77:1) AR.
Friday, April 2, 2010
ALLUSION
![](http://2.bp.blogspot.com/_-VIPrMgekGw/S7aBuLtl6qI/AAAAAAAAJHc/gjn-zebICoc/s320/Red-River-1948.jpg)
A direct or indirect reference - through an image or through dialogue - to the Bible, a classic, a person, a place, an external and/or real-life event, another film, or a well-known cultural idea.
Example: In Red River (1948), Montgomery Clift (as Matt Dunson) and John Ireland (as Cherry Valance) show off their guns to each other and ask: "You know, there are only two things more beautiful than a good gun: a Swiss watch or a woman from anywhere. You ever had a good Swiss watch?" - a scene often interpreted as alluding to homosexuality
Sunday, March 14, 2010
Types of Camera Shots: XCU, CU, MCU, MS, LS/Full Shot?
Tuesday, February 23, 2010
aerial shot
Sunday, February 21, 2010
Actor and actress
Saturday, January 30, 2010
Script Terms and Abbreviations
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEia1TAtAjdd1Qh4efRchHnxN_rNHDixtQDRCqccuTAU0OwmBQOx10jg7dPqaHTp6Aw3K30_Mp8flvAe5CYkcFDeY4VD8hix23dF6H9JKf-edA_PewfPlxtd3oTAhtSxB7nmW6wLmkqDLg/s320/dolly.gif)
Although scriptwriters sometimes feel an urge to indicate camera shots and angles on a script, this is an area that's best left to the judgment of the director.
Even so, in dramatic scripts you will often see the terms camera finds indicate the camera moves in on a particular portion of a scene; camera goes with to indicate the camera moves with a person or object; reverse angle to indicate a near 180-degree shift in camera position; and shot widens to signal a zoom or dolly back.
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